You know you’re in trouble when an article about a writer’s path to publication brings you to tears, especially when you’re on a United flight from Chicago to Boston, in the middle seat, and you don’t know the people flanking you.
You also come to realize, once again, that you are a writer.
I just finished Keith Gessen’s powerfully written piece on his friend Chad Harbach’s 10-year journey to bring a debut novel, THE ART OF FIELDING, into the world. Gessen’s article, How a Book Is Born: The Making of The Art of Fielding (Vanity Fair, October 2011), is outstanding. Some critics claim its focus is too narrow and only describes publishing from the viewpoint of the educated and privileged, but I feel privileged to read the inside scoop on this rapidly morphing industry.
Who needs to read the article? Let’s see:
Anyone wondering how publishing works
Disillusioned writers who doubt they’ll ever be published
Anyone curious about eBooks and digital media
Someone considering a career as a literary agent or an editor
Why did I love it? Gessen details his friend’s path — beginning in Racine, Wisconsin, and rising to the top of the international publishing world – with such an honest and engaging voice that it felt like he’d written the piece specifically for (the anxious, unpublished, full-of-self-sabotage person that is) me.
Harbach worked on his novel for 10 years and received countless rejections. Many of his friends, including Gessen, thought he’d be better off moving on to another project. Time and countless distractions took him away from his novel, yet those very elements helped round out the final product.
It’s fascinating to read all the behind-the-scenes activity in the world of publishing, particularly the emails exchanged between Harbach and his soon-to-be agent, Chris Parris-Lamb just after the latter finished reading the first 250 pages of Harbach’s manuscript. I realized I’d been holding my breath while reading the agent’s emails. His enthusiasm for the project is what every debut novelist hopes for: an agent who unequivocally gets it, who promises to care for and protect your manuscript as if it’s his own, who feels honored to represent you.
I cut the emails out of the October 2011 issue of Vanity Fair and copied them here for you. The first was sent after the agent read the first 250 pages. The second was sent once he finished the book, the next day:
I’m not naïve; the chances of receiving emails like this from potential agents are slim to nil, but just reading the account of how a passionate writer kept going, kept the faith, and kept improving his manuscript until he felt it was right…well…that’s the stuff that keeps me going when it just feels too hard.
It’s also reassuring to hear what industry insiders say about the changing face of publishing. Yes, eBooks are thriving, but as Amazon’s VP of Kindle content told Gessen, “The only necessary parts of the business are authors and readers. Everybody else has to figure out how to be useful and relevant in connecting those two groups.”
I’d highly recommend the article to anyone who’s in – or looking to enter – the worlds of writing or publishing. It may not make you cry, but it’s guaranteed to demonstrate how a writer’s dreams can really come true.